How Wakanda Forever's Dominique Thorne Became Ironheart
Director: Adam Lance Garcia
Director of Photography: Cole Evelev
Editor: Paul Tael, Chris Jones
Celebrity Talent: Dominique Thorne
Producer: Madison Coffey
Line Producer: Jen Santos
Production Coordinator: Natasha Soto-Albors
Talent Booker: Eugene Shevertalov
Camera Operator: Alfonso
Audio: Sean Paulsen
Gaffer: Niklas Moller
Production Assistant: Rafael Vasquez
Post Production Supervisor: Christian Olguin
Released on 03/28/2023
Swing that mallet down I think was
like a pretty iconic moment 'cause obviously
like you're starting to think about, you know
Ironman making his first suit in that very same style.
Hi, I'm Dominique Thorne and this is how
I became Iron Heart.
[upbeat music]
I originally auditioned for the role of Shuri
in Black Panther One back when I was a sophomore
in college I would be with my full academic schedule
be making at minimum like three, four audition tapes a week
just sending them out, went down to Atlanta
had an in-person like audition, camera test.
Final Round was in LA and that's where I met Ryan.
I met Chadwick and read with him and they had expressed
like how much they would like to work with me
but the only comment that they had really given me was
that I didn't have the experience that they knew I
would need to carry a film in that way.
Then got my credits up.
I did my first film ever which was
If Beale Street Could Talk
followed by Judas and the Black Messiah got a phone call
telling me that they're adapting the Ironheart comics and
that they are gonna do it through a TV series on Disney Plus
and he asked if I'd be interested in playing her.
There was no audition, it was the phone call so yeah
I said yes.
I remember hearing the news
about Chadwick's passing like later that evening
[people chanting]
And that sort of eclipses everything.
What does this mean for that cast
as not just people playing characters but
as individuals with real relationships and connections
and love for this person that is now passed
how do they stomach the news
of what the future is only to learn such a
like a heartbreaking curve ball like that?
How do you reckon with both
of those incredibly intense and incredibly valid feelings?
My sole focus truly was about how do I support my castmates.
You know, that's like one
of the first lessons that I was taught
as an actor is this is about the ensemble
it's about your scene partner, it's about the other person
in front of you and this was such a humbling way
to like go back to that lesson.
The first time I heard about the role of Riri Williams
I had to be a sophomore or a junior in college.
That iconic imagery of like Riri with the huge fro
and the helmet under her arm and the red crop top
that's the first time I heard about Iron Heart.
I think when I first heard about Riri being adapted
I was curious and also super hopeful to see how
they would take on telling this story.
That is very different from a lot
of the other stories that they've told.
I'm seeing like streets that look
like the street that I lived on.
I'm seeing like friends that look
like the friends that I have and it was exciting.
You go into it knowing that you're going to get the story
of a genius and not just a genius
but a super genius but it was so energizing
to me to see that brilliance wrapped up
in a packaging that was atypical from what we've seen.
I remember being told that water is a key element
in this film.
Although I was aware of how to swim, I had to
take a swim test to like graduate college so
I definitely could swim to survive.
I wanted to be way more comfortable in the water than I was.
I had like a couple classes a week just getting
on my breath hole
getting on like you know, proper technique, proper form
all of that and really training my lungs.
That was like the biggest thing for me.
I definitely wanted to be over prepared
or over competent to play somebody who was not competent
and wearing that suit for the first time.
That was like the greatest entry point into who Riri is
how she moves through the world, how she thinks
and so to see how she was able to create such a
such a smart design where I have full mobility
full range of motion, all my joints are free even
though this is like this huge bulky iron suit.
This suit was definitely one
of the first things that I was able to get a a very
clear understanding of, okay
like this is definitely helping to establish a bar.
This is the first thing that we're really getting to see
from her.
A lot of people compare it to football gear
but it definitely understanding like what is meant
in the comics when she talks about this suit of armor
around her heart because that's exactly what it feels like
super snug and fitted in a way that distracts
from how big and large and bulky it is.
It's almost like a second skin in a lot of ways
just a very heavy, very deadly second skin.
[lo-fi music]
It was a very like revitalizing first day I have to say
because between getting the news about playing this role
and arriving to set to shoot your first scene
so many things had happened and I felt
like I was doing so much other than acting, but I think
that by the time we got there to actually shoot this scene
and it's with Ms Bassett, you walk onto set
and you're in the throne room and so I'm truly feeling
like I'm in Wakanda for the first time.
You see like those iconic statues in the background.
You see the Dora Milage
in the foreground and you're walking the halls
and here comes Queen Ramondo with the crown
on looking as regal as ever and they say action
and she starts her lines and I'm like, oh yeah
this is what I came to do and working with someone
like Angela Bassett who is so present and so connected
what a blessing it was to have this person
in front of me be so grounded.
It teed me up.
I think to maintain that kind of presence for the rest
of the shoot, a normal day on Wakanda Forever would look
like to get picked up around four get to set.
Then the first stop, you know, trailer drop all your stuff.
Then hair and makeup, so usually
in makeup for about 40 minutes or so.
Then go over to hair and it really depends
for Riri because on Wakanda she had the slick back braids
which were like put into two styles
so let's assume it's a Monday.
Then that means
on the Friday I would've just gotten braided, so
by the time I get to hair this time I don't have much to do.
It's usually just to touch
up the edges and slick the hairs down, tie that up, go back
to the trailer, change clothes, maybe eat breakfast maybe
at this point it's about like seven or eight
or so, head rehearsal for a little bit
with Ryan and whoever else from the cast is in the scene.
Then after that rehearsal you have a rehearsal
that shows the crew what's going down
what we're about to do, head back to the trailer
change into the costume for the day
and then when they're ready for you
they knock on that door and travel you up to set.
Then the adventure begins.
A lot of the stunt training that I got was more so
for Ironheart than Wakanda forever, so I'd spend time there
either like learning fights or just running drills
or testing out whatever new wire gag they wanna do.
Maybe after that I'd have like a fitting or something
or I'd go back to the hair trailer and like do a hair test
for another style that we were working on,
filming in the suits, baby.
That's definitely a point where I was glad
that I took the time to get that endurance training
up because I later learned when filming Ironheart
everyone definitely waited until we wrapped
on Wakanda Forever to tell me how much the suit weighed
and now I am screaming it from the rooftops.
But for me, a lot
of the work that I did in the suit was primarily in wires.
Truly just a lot
of core work to be able to not only support yourself
but support like an additional like 52 pounds
on you before you can get into the wires you
you have to get rigged, so you have to put on a harness.
Most of my days I'm in the suit, I'm
in the wires and so I'd have like a base layer
of clothing on to just like workout pants and top.
Then I'd put the harness on
which would probably be like a little bottom half
and then a vest that they tighten up.
Then I'll put the character clothes
so the costume over that
so I'd like put those blue skinny jeans on, on top
the base layer and the harness and then the shirt on.
They'd cut holes in it so they could attach it
to the actual wires and then the suit goes
on over the costume, over the jerk vest
over the base layer and then that is what they
they try to find points to like loop the wires
onto those pick points through the suit now so
that I can actually like carry everything once
we're up in there.
So really it's a game of endurance.
Everything that I did in that montage
I learned that day like probably about 10
15 minutes before we started rolling.
That was a lot of fun.
Definitely I think one
of my happy places getting to like learn new things
learning the welding
or cutting the heart out was like a huge thing.
Even just to know that I'm putting as much effort
as I'm putting into it to like get it right
but thinking this is something that Riri just excels at
and does
and to be able to excel a little bit was like, okay
maybe I'm doing Riri proud,
when we meet Riri in Wakanda Forever.
I hope that folks remember that we're meeting a girl
like under duress, like these are extreme circumstances
and very much heightened situations
for someone who unlike let's say Okoye
or Shuri who are used to sort of otherworldly matters.
This is a girl from the south side of Chicago going
to school, trying to mind her business and get her degree.
Now she's being told
that she's responsible for this collision of two worlds.
Once we get to see her again in Iron Heart
we're getting to understand who Riri is when she's
with her family, who Riri is, if she's with her friends
we're getting to know the other layers
of her that also create this human person
young black girl in a supernatural circumstance
who also has a very natural supernatural gift.
I think that Chinaka Hodge and I, we come together
in Ironheart to show you a full-bodied human being.
[lo-fi music]
I'll say the biggest lesson that I've learned
since playing Riri Williams is that you only have to focus
on making the next best decision.
I've learned how to be an advocate for my character.
I've learned that advocating
for your character is probably like priority number one
like in my role or in my job as an actor
because when I'm in that head space of how can I do right
by this person that I'm supposed to be playing
it helps so much to just focus on seeking the truth
in each moment and just saying like one yes
at a time or one no at a time
and just being able to like get the most honest answer
out of what's in front of you in this moment.
Starring: Dominique Thorne
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